I actually thought of you when I saw that pic.
I thought to myself MX ain't gonna like this.
LOL, great, now I'm conspicuous with one of the moderators!!
My dislike of this practice comes from many experiences with improperly installed wirenuts in far too many cinema panels failing (or popping off while working in the panels), and several more where they've used them on the high-current wiring (>30 amps) to the lamp rectifiers, with phase loss and meltdowns resulting. It's especially aggravating when it would be less "hackish" to pull new wires to the projector itself. Most runs are 20 feet or less.
And yes, there are occasions where I work on subpanels live to do emergency breaker changeouts on the projection equipment. (Most subpanels are 120/208y 3ph.) This was common practice when I was employed with a big cinema service company. I generally power down but sometimes (as when one sub serves more than one projector system) a panel shutdown is not practical.
Most cinemas shut the breakers off each night, and the ones for the sound racks seem to fail often. (The ones handling the inrush of the power amps.)
As an interesting footnote, most Square D breakers give major headaches in this application. The instantainous trip setting doesn't like the inrush.
Sorry for the off-topic, but back to the issues here, my current work with high-end houses and screening rooms has shown that messes like these are all too common. A lot from harried EC's being pulled in too many directions at once by homeowners/GCs/designers who change thier minds as often as thier socks, and often unrealistic changes in move-in deadlines.
The last project I was on the changes and move-in date had things so backlogged, the occupants were living there for over two months(!) on
temp power!! (Only 200 amps tied into thier 600amp main.)