That's all well and good until the service neutral opens up.
Lol, Peter. that's a good point. Especially in my case, as the service drop is the original one serving a total of 5 apartment units. (With the original "A" base style meters.) I'll try to get some pictures of this mess to put up here, I can call it "Little Service of Horrors."
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Here's an interesting hypothetical thought: If the service neutral (ahead of all 5 services) were to open, would the load diversity of all the units minimize the possible imbalance?
Seems to me that every argument against multiwire branch circuits stems from either the improper installation or improper modification of the circuit.
and:
They are usually caused by some numbskull stuffing 6-#12 into a red wirenut or something like that.
Bingo! That seems to reflect most folks' negative experiences, but:
I have NEVER run into a case of a problem caused because there wasn't a dedicated neutral run for each circuit.
In my business, that is the primary cause of trouble for both audio and control systems as I have mentioned in other threads. And in the case of multi-channel (circuit or load if you prefer) lighting systems like Panja, Vantage and Crestron as used in McMansions, the use of shared neutrals causes a lot of problems and in fact most of the manufacturers of that equipment will void warranty on equipment installed with multiwire feeds. As I do on any audio equipment not wired to the specifications I provide. Again, it all depends on the intended application.
I will probably shock a few by saying that I can see some applications where I personally would install multiwire, for example, circuits serving motor loads
without VFD's; a lighting load consisting primarily of incandescent lighting; dedicated circuits for seasonal lighting......I'll probably think of a few more later.
As it stands, it really boils down to a cost vs. performance stance. In my case, the extra cost of the extra #12 white THHN (Around $50.00 for a 20-screen movie theatre) is more that repaid by the time and trouble saved in chasing out audio noise and erratic automation operation which I have encountered in installations without dedicated neutrals. Since a service call to a cinema is worth $65-$95 per hour with a four hour minimum, I would rather spend the extra up front (which by the way is factored into my installation bid)than have to do a
gratis warranty service call.
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